Archive for the ‘Agit-Prop’ Category


November 3, 2008

Interesting audio site that allows users to call in for their candidate and then ports them all into a sound board.

It’s kind of telling, in some ways who’s on the web and who’s not, in my opinion.
Most of them are all for Obama and what few are for McCain seem to be largely smart-ass piss-takes.

Politico DJs, let the audio mixing begin!


Friday, October 10th, Laibach Special

October 10, 2008

‘ve been putting the finishing touches on my show, which will go on tomorrow evening, from 9PM to Midnight (Pacific).
It’s my hope that those even fairly familiar with Laibach will find some surprises and new sounds and that those unfamiliar will become illuminated.

I was fortunate enough to not only secure a long enough slot to go into the length and breadth of the Laibach/NSK phenomenon, but was also able to get Laibach founding member and spokesman Ivan Novak on the phone for an interview on the eve of the Portland show. That was exciting for me, as I am a huge fan.
I don’t want to go into too much detail as to what’s going to happen, but I do hope you tune in, if you can.

Blurb below:

A Three Hour Laibach Special
Join us for a three hour marathon of music from Laibach and NSK (Neue Slovenische Kunst).

For over twenty years, Laibach has been twisting insipid pop songs into sinister anthems, turning the art world upside down with menacing imagery and film, utilizing political propaganda systems as readymades in an unrelenting assault on dogmatic beliefs while revealing the ‘hidden reverse’ inherent in Western culture.

We’ll explore the world of Laibach’s music, their cryptic and often purposely contradictory ideology, hear from compatriot Slavoj Žižek, as well as music by side projects 300,000 V.K., Germania and an interview with founding Laibach member and spokesman Ivan Novak, recorded on the eve of their Portland show.

Laibach is currently on tour in the US and their latest album Volk turns anthems from around the world – both ancient and modern – into lovely pop songs.

That’s on KBOO Community Radio at 90.7 FM in Portland, 100.7 FM in
Corvallis & Albany, and 91.9 in The Gorge and streaming worldwide at


UBU Hour Radio Programs

January 7, 2008

Radio supergenius Rolf Semprebon and his band of radio theater acrobats perform amazing feats of radio play daring-do once a month on The UBU Hour.

The productions are pretty amazing, with rich sound effects and editing and fine voice performances from the talented cast.

They’ve taken on no less than the Neo Con agenda, the second coming of Jesus and the Bush Family.

My favorite is The Man Who Didn’t Give a Shit, a dense, highly scatological saga about a man’s inner turmoil as to whether he sacrifice his values to rise to the top in his company, with shit.
It’s like a filthy The Fountainhead, as co-written by Franz Kafka on Ex-Lax.

I’ve run into Rolf at the station at odd hours, merrily cutting and pasting away and he promises more on the Moron Saga of Dubya Tush and the Tush family, and more filth.

Check out their nearly complete audio archives here.

The UBU Hour

The first Monday of the month, from 11 pm to Midnight.
Experimental radio theater with dada/surreal elements…

On KBOO, 90.7 FM in Portland OR


Test Dept.

January 27, 2007

Pax Britannica
Jungle / Ministry of Power


Another not-too popular album in Test Dept.‘s mighty canon that is also one of my favorites. This album is a grand live affair that pairs the band’s martial drumming and industrial clanging with an actual symphony orchestra and choir. From the Test Dept. website:

Part soundtrack to the epic ‘Second Coming’ show which celebrated Glasgow as the cultural capital of Europe 1990, performed at the St. Rollox Railway Works, once the largest producer of trains in the British Empire.

It features a score from John Eacott played by the Scottish Chamber Orchestra and conducted by the celebrated scottish composer James MacMillan.

Many regard this album’s concept as flawed or perhaps the execution didn’t jell at this recorded gig. In any event, it is a telling in five movements of the rise and fall of the British Empire, told with spoken oratories by the band, samples of Winston Churchill, Margeret Thatcher and John Major, backed by an epic soundtrack utilizing patriotic British music (most notably Blake’s Jerusalem) . Undoubtably, it would help to see the performance and not having some sort of libretto makes it a little hard to follow and the pace lags somewhat after the third movement. It remains one of my favorites because I like how it utilizes patriotic motifs to serve as readymades to critique the imperialism of England, somewhat in the same way that Slovene band Laibach does. Although not perfect, this album is a chilling look a once mighty nation that ought to serve as a warning about imperial hubris (especially to us yanks).

Pax Britannica – 1990

  1. Movement I:
  2. Pledge, Jerusalem, Heavens Command, Characters of Light, Agincourt, Accusation
  3. Movement II:
  4. Territory (The Epic of the Race)
  5. Movement III:
  6. From the Land (As An Fhearann)
  7. Movement IV:
  8. God, King and Law
  9. The Cracked Facade
  10. Farewell the Trumpets
  11. Movement V:
  12. The Legacy (A Lasting Presence)